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Musician’s Incredible Modern Tiny House & Mobile Music Studio

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A Trans-Siberian Orchestra violinist finally builds a home that can keep up with her tour schedule.

Asha Mevlana spent years living out of suitcases, splitting storage units between Los Angeles, Boston and New York while touring as an electric violinist with the Trans-Siberian Orchestra. Featured on the “Living Big In A Tiny House” channel and also spotlighted on television’s “Tiny House Nation,” her solution wasn’t a conventional house at all — it’s a two-piece compound built on her brother’s family land in Fayetteville, Arkansas, pairing a fixed 400-square-foot residence with a soundproofed mobile studio disguised as a Marshall amp half-stack.

• The main house is a 400-square-foot structure on permanent foundations, measuring 40 feet by 10 feet, with high ceilings and a full-sized bathroom.
• A separate mobile studio on wheels is built to look like a classic Marshall amplifier half-stack, complete with exterior-facing marine-grade speakers.
• The two structures are connected by an outdoor deck that turns the whole property into an impromptu concert venue for neighbors — or gets hitched up and hauled to festivals.

Built For A Life On Tour

Mevlana’s touring schedule with the Trans-Siberian Orchestra meant she rarely spent more than a few weeks in one place, and her belongings ended up scattered across three cities before she decided to consolidate everything into one property. She built the compound on land owned by her brother and his family, giving her a home base to return to between tours instead of another rented room and a storage locker. The project’s build-out was significant enough to earn a segment on “Tiny House Nation” alongside its feature on “Living Big In A Tiny House.”

Inside The 400-Square-Foot Residence

The primary home runs 40 feet long and 10 feet wide, which puts it on the larger end of the tiny house spectrum, and the interior makes the most of that footprint with high ceilings and an open, minimalist layout. The kitchen includes a custom bicycle-wheel hoist rigged for hanging cookware overhead, freeing up cabinet space in a kitchen that size. Mevlana designed the interior around Marie Kondo’s decluttering philosophy, keeping the finishes bright and the storage tight so nothing sits around that doesn’t serve a purpose.

The Amp That Doubles As A Studio

Sitting beside the main house is the project’s signature feature: a separate, soundproofed mobile unit on wheels built to mimic a full-sized Marshall amplifier half-stack, right down to the exterior-facing marine-grade speakers mounted on its face. Inside, it functions as a private rehearsal room, a recording studio and, when needed, guest quarters. Because it opens directly onto the patio that connects it to the house, it converts the whole outdoor deck into a stage.

A tiny house on a permanent foundation, hitched to a full-scale mobile studio built to look like a Marshall half-stack — designed so Mevlana can jam with neighbors one night and tow it to a festival the next.

A Compound, Not Just A Cabin

What separates this build from most of the tiny house projects covered on the “Living Big In A Tiny House” channel is that it isn’t one structure trying to do everything — it’s two purpose-built pieces working together. The fixed home handles daily living, and the mobile amp unit handles work and performance, with the connecting deck acting as the hinge between them. It’s a layout that echoes other dual-use small-space builds, like the shed-turned-theater covered in this Dolby Atmos home theater conversion, where a secondary structure gets fully re-engineered around one specific passion rather than general-purpose living.

For a musician who used to measure “home” by whichever storage unit held her gear that month, the setup solves the actual problem: a fixed address in Fayetteville plus a studio she can unhitch and tow to the next gig. It’s the kind of build that belongs in the same conversation as other creatively re-purposed small structures, including this from-a-kit dream home build — proof that “tiny” doesn’t mean giving up on a proper workspace, it just means designing one that earns its square footage twice.